Artwork by Series
Last Updated: February 25, 2012
|
||
| Series (click on title or image for link) | Where Exhibited | |
| Sculptural Nests | Affinity Gallery, Potash Corp Children's Festival, Market Mall Studio | |
![]() |
Take Only Pictures! | West Vancouver Library, West Vancouver, BC |
![]() |
Civilizations have much in common throughout time. The Romans, the Greeks, Victorian England and people today practice catching tears. Whether it makes sense or not people do it. As humans attempt to deal with life’s challenges, symbols have been used to mark the emotions associated with those moments. Grief is such an overpowering and overwhelming experience people created an entire tradition to trap the expulsion of the salty fluid from the lachrymal gland in an effort to help make sense of the moment causing the grief. |
Work in Progress Museum of Antiquities University of Saskatchewan March 2012 Selected pieces: Gallery, Frances Morrison Library, August 2012 |
![]() |
Living Inside and Outside the Box | Works in Progress Rouge Gallery, 2011 |
![]() |
The nest is used as a metaphor for our own home in a number of ways: investments, capital, parents. Due to the fact that it takes money to have a home and raise a family, it is no surprise that people use the term “nest egg” to describe their investments and capital. The common phrase empty nesters describes the situation when the children have left the home, and the parents now have more freedoms, either in terms of time or money. It may result in an improved financial situation due to the fact that there are no children to take care of. |
Affinity Gallery - Saskatchewan Craft Council - April 2012 To be showcased at Saskatchewan Children's Festival June 2012 Rouge Gallery - May/June 2012 Godfrey Dean Gallery - Yorkton, 2013 Meewasin Valley Center Gallery, 2013 |
![]() |
This series is influenced by Shakespeare, Michel de Montaigne and each book page I have ever turned. The turning of pages is important in this exhibition. With the new technology making the turning of pages obsolete, are libraries going to become obsolete as well. The silent study spaces, will they too become permanently silenced? Will the return slot lose the sound of sliding books forever?
|
The Gallery, Frances Morrison Library, Saskatoon, July 2012 Godfrey Dean Gallery - Yorkton, 2013 |
![]() |
Daimon
Tulip bulbs are used to represent an attendant spirit, a genius in this series; daimon. The word daimon derived from the Greek language and represents the positive aspects in the culture of demons. Demons were considered intermediaries between the gods and humans. Each person possesses an inner image of completeness, an essence, just like a tulip bulb holds within it the essence of the flower it will be. Subtle intimations from within mark our true destiny and reveal our true selves. People, like bulbs, are developing, growing, changing even if we don’t see it. Each day brings subtle changes that push a person into new directions and challenges just like the bulb reaching upward to the sky. |
Affinity Gallery, Saskatoon, July 2011 |
![]() |
Concertina Sketchbooks | Gallery, Frances Morrison Branch Library August 2012 |
![]() |
Crossroads, Pathways and Intersections The only thing that we can be certain of in life is change. We are constantly faced with crossroads, pathways and intersections, some large and some small. It is in facing these changes that we can feel fear. This fear may not be of the change but rather of something else that we don’t want to address. Fear can make us mute and immobile forever. Crossroads make us feel feather light in their freedom and at the same time lead heavy in uncertainty. It is in a farewell of one path that we part with ourselves under the watchful eye of another. This watchful eye of another causes second guessing and a pulling back of certitude. |
|
![]() |
There are some experiences that are too big for humans: pain, furious loneliness, death, beauty, and happiness. This series explores the potion that took the lives of Romeo and Juliet. The artwork displays jars that were found objects and are labelled with quotations from the play. It is unknown what they contain. The unsuspecting lovers trusted a jar with their lives. The contents were unknown, and it was foolhardy to consume it. |
The Gallery, Frances Morrison Library July , 2012 |
![]() |
Intimacy based on subtle nuances, shared history, collective memory and innate understanding of another’s thoughts is imperious in its very nature. The “imperious” and special intimacy that can only be gained through time and intimate knowledge of another is interesting in its energy. Is the trip to becoming intimate with another ever over, or is it a never-ending cycle of getting to know a new person as they grow and change? Is the soul a place of facts? Or is it a shadow of the day before and the day before that??? Is there an invisible existing reality in each of us??? Our own souls as intimate and entangled as they are with us the person may not even be clearly definable or understandable to us. It is doubtful that the soul and spirit is a place of facts and this series explores that concept with text and birds on a wire. We perch on the wire of our own understanding of our own personal imperious intimacy and with the intimacy of those around us ready to take flight to the next level of understanding when ready.
|
Rouge Gallery - Saskatoon, 2010 |
![]() |
We submit to a type of death when gazing upon that which we should
not. Just as when we hold a secret we submit to a type of death
because it is in the holding of the secret that ours live are forever
altered and true freedom can never be attained. Nothing goes away and
all changes with secrets. |
Upcoming Exhibition |
![]() |
Princess | |
![]() |
Transparency;
the place where
the things you can’t fully remember and what you can’t forget collide
in an
awakening, and where the intersection of years brings you to clarity of
moment,
when the mirror of transparency appears, a personal transparency, where
all is
clear, understood and felt. Transparencies, when the one in the mirror
and the
one reflected are the same.
|
Upcoming Exhibition Rouge Gallery -Saskatoon Spring 2011 |
![]() |
In Italy, there is a
practice among lovers to
connect a lock on a bridge and toss the keys in the water. Once the lock is secured, the keys are tossed
in the water, never to be retrieved. This promise of love begs a question. Can a relationship remain as constant and strong as this lock on
a
bridge? |
Upcoming Exhibition Rouge Gallery -Saskatoon Feb 2011 |
![]() |
Does our essence determine
how we enter the
game? |
Rouge Gallery -Saskatoon, 2009 Faculty Club - Saskatoon, 2007 |
![]() |
Using the fish to
explore the concept of flow is
a natural link. The collective
effervescence of fish moving together belonging to a group with
concrete real
existence is symbolic of humans absorbed in a task. As humans we are most satisfied when we do something for the
action itself rather than for some other motive. |
National Printmaking Awards, Toronto, May 2011 The Gallery- Frances Morrison Library, Saskatoon 2009 Meewasin Valley Center - Saskatoon, 2009 |
![]() |
Dangling Carrots - Fame, Fortune or Happiness The deliberate deception may encourage forward progress of an animal, but is unlikely to work for very long in the real world. Humans in search of fame, fortune and happiness will chase a transparent dangling carrot that is seen by no one but the pursuer. To reach fame, fortune or happiness, the mirage that is constructed in the mind of the aspiring individual will block out enough of reality to overcome obstacles to the goal. There is no concrete definition of “making it”, each person’s defining moment of “making it” is different. Fame, fortune and happiness are never fully attained in all people’s eyes. Each person reaches for his own dangling carrot, which is a completely intangible and sometimes illogical destination. What is duplicity to some may be satisfaction for others. It may be necessary to continue to chase more elaborate and new dangling carrots in order to continue to strive and not stagnate as a person both spiritually and physically. |
Mackenzie Art Gallery - Regina, 2008 Saskatchewan Craft Council Gallery, Saskaton, 2009 Art Gallery of Swift Current, 2009 Capleh Gallery, North Battleford, 2009 Barr Colonly Heritage and Cultural Center, Lloydminster, AB, 2009 E. A. Rawlinson Center for the Arts, PRince Albert, SK, 2009 |
![]() |
The
tulip
provides an artistic way of exploring various
types of touch, and the impact that touching has on our lives. A
touch can give us a concentrated sense of life, an energy transfer like
nothing
else can. The touching of souls, minds or hearts that are seeking
contact
with another is life altering. |
Upcoming Exhibition Rouge Gallery -Saskatoon Spring 2011 |
![]() |
This series explores connections in my own world from the wisdom of a
professor, to the innocence of a child that I teach each person changes
who I am and who I will become. The unconditional acceptance of a
person allows a connection or a common thread of interest to grow and
to become a strong bond and time and distance does not sever. |
Rouge Gallery -Saskatoon, 2008 |
![]() |
There
is a trust in some people that blurs differences and
blinds prejudice. Humankind pauses and looks in before entering, as
though
trust has been lost from natural design. Windows provide distance and a
perceived involvement, yet the viewers do not know what the situation
is until
they participate fully. |
Centre Galleries, Saskatoon, 2007 |
![]() |
English Florist Tulips | Yorkshire Sculpture Park - Wakefield, England, 2006 |
![]() |
Many times in life we try to trap or hold onto
something longer than we can. We try to control scents, people, moments
and
feelings. We try to trap moments through photography and smells
through
perfume. The perfume jars are a symbol for this attempt to trap
the
scents of nature in a jar to use later. When that bottle is
opened and
the perfumed is applied, the scent is lost to the air. |
Vallauris, France 2006 Rouge Gallery - Saskatoon, 2010 |
![]() |
Monique uses tulips, a common flower to represent human emotions, from the fragile to the ferocious. Fields of flowers like crowds of people, often make us less aware of the individual characteristics and nuances each posseses. Each painting is ground level view focusing on a single flower among an arrangement that personifies an intense human emotion. As in a family, everyone appears similar yet will feel, respond and experience situations in a totally unique way - in essence standing alone. |
Gallery on the Roof, Regina, 2001 Mendel Art Gallery, Saskatoon, 2001 Chapel Gallery, North Battleford, 2002 Hotel de Ville- Ottawa, 2002 Hobart, Tasmania, 2003, Mount Vernon, USA, 2003 Gatineau, QC, 2005 Nice, France 2006 Spalding, England 2007 Permanent Installation Spalding England 2008 |
![]() |
March of Time Time marches toward confluences of harmony and conflict. The shaded images in black and white represent loss of innocence through aging. The color works toward peace and a better way to handle conflict. Major events are highlighted in color, the everyday tasks blend into shades of black and white. |
Snelgrove Gallery, Saskatoon, 2003 Station Arts Center, Rosthern, 2004 Refinerary Arts and Spirit Centre, Saskatoon, 2004 Cumberland Gallery, Regina, 2005 |
![]() |
|
The Gallery, Frances Morrison Library, Saskatoon, 2003 |
![]() |
There are hurts we hang on to that are
re-lived. Memories hide for a long time
and can surface again to cause new pain. The vessels in these paintings
represent human beings. People search
to understand themselves and it is their treasured hurts that have made
them
who they are or stopped them from becoming who they want to be. |
Faculty Club, U of S, 2004 |
![]() |
To
have abundance is to recognize there is an oversupply. It is the acquisition of material goods
beyond what is needed. There are many
choices to make to fill our days and it is necessary to recognize when
enough
is enough. However, each possession
collected demands something of us and this demand is often time.
|
Gatineau, Quebec 2004 |
![]() |
Naked Soul - Working Mother The series explores a
working mother’s place in
society from conception of the child to the reality of living the
day-to-day
life of a working mother. The
exhaustion, the fear, the anger, the tension and the jealousy are part
of the
experience of the woman in the series. |
Point du Vue Cultural Center, St. Isidore, Qc 2002 Chapel Gallery, North Battleford, SK, 2002 Godfrey Dean Gallery, Yorkton, SK, 2003 |



























