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Artwork by Series

Last Updated: February 25, 2012

 

   

 

  Series (click on title or image for link) Where Exhibited
Sculptural Nests Affinity Gallery, Potash Corp Children's Festival, Market Mall Studio
Take Only Pictures! West Vancouver Library, West Vancouver, BC

TearRoom Project

Civilizations have much in common throughout time. The Romans, the Greeks, Victorian England and people today practice catching tears. Whether it makes sense or not people do it. As humans attempt to deal with life’s challenges, symbols have been used to mark the emotions associated with those moments.  Grief is such an overpowering and overwhelming experience people created an entire tradition to trap the expulsion of the salty fluid from the lachrymal gland in an effort to help make sense of the moment causing the grief. 

Work in Progress

Museum of Antiquities University of Saskatchewan March 2012

Selected pieces: Gallery, Frances Morrison Library, August 2012

Living Inside and Outside the Box

Works in Progress

Rouge Gallery, 2011

Nest -Nest Egg - Empty Nest

The nest is used as a metaphor for our own home in a number of ways: investments, capital, parents. Due to the fact that it takes money to have a home and raise a family, it is no surprise that people use the term “nest egg” to describe their investments and capital.  The common phrase empty nesters describes the situation when the children have left the home, and the parents now have more freedoms, either in terms of time or money. It may result in an improved financial situation due to the fact that there are no children to take care of. 

Work in Progress

Affinity Gallery - Saskatchewan Craft Council - April 2012

To be showcased at Saskatchewan Children's Festival June 2012

Rouge Gallery - May/June 2012

Godfrey Dean Gallery - Yorkton, 2013

Meewasin Valley Center Gallery, 2013

Evince

This series is influenced by Shakespeare, Michel de Montaigne and each book page I have ever turned.  The turning of pages is important in this exhibition. With the new technology making the turning of pages obsolete, are libraries going to become obsolete as well. The silent study spaces, will they too become permanently silenced? Will the return slot lose the sound of sliding books forever?

 

The Gallery, Frances Morrison Library, Saskatoon, July 2012

Godfrey Dean Gallery - Yorkton, 2013

Daimon

Tulip bulbs are used to represent an attendant spirit, a genius in this series; daimon.  The word daimon derived from the Greek language and represents the positive aspects in the culture of demons.  Demons were considered intermediaries between the gods and humans. 

Each person possesses an inner image of completeness, an essence, just like a tulip bulb holds within it the essence of the flower it will be. Subtle intimations from within mark our true destiny and reveal our true selves.  People, like bulbs, are developing, growing, changing even if we don’t see it.  Each day brings subtle changes that push a person into new directions and challenges just like the bulb reaching upward to the sky.

Affinity Gallery, Saskatoon, July 2011
Concertina Sketchbooks

Gallery, Frances Morrison Branch Library

August 2012

Crossroads, Pathways and Intersections

The only thing that we can be certain of in life is change. We are constantly faced with crossroads, pathways and intersections, some large and some small.  It is in facing these changes that we can feel fear. This fear may not be of the change but rather of something else that we don’t want to address. Fear can make us mute and immobile forever.

Crossroads make us feel feather light in their freedom and at the same time lead heavy in uncertainty. It is in a farewell of one path that we part with ourselves under the watchful eye of another. This watchful eye of another causes second guessing and a pulling back of certitude.

 

If You Love Believe in Juliet

There are some experiences that are too big for humans: pain, furious loneliness, death, beauty, and happiness.  This series explores the potion that took the lives of Romeo and Juliet. The artwork displays jars that were found objects and are labelled with quotations from the play.  It is unknown what they contain.  The unsuspecting lovers trusted a jar with their lives. The contents were unknown, and it was foolhardy to consume it.

The Gallery, Frances Morrison Library July , 2012

Imperious Intimacy

Intimacy based on subtle nuances, shared history, collective memory and innate understanding of another’s thoughts is imperious in its very nature. The “imperious” and special intimacy that can only be gained through time and intimate knowledge of another is interesting in its energy.  Is the trip to becoming intimate with another ever over, or is it a never-ending cycle of getting to know a new person as they grow and change? Is the soul a place of facts? Or is it a shadow of the day before and the day before that???  Is there an invisible existing reality in each of us??? Our own souls as intimate and entangled as they are with us the person may not even be clearly definable or understandable to us.  It is doubtful that the soul and spirit is a place of facts and this series explores that concept with text and birds on a wire. We perch on the wire of our own understanding of our own personal imperious intimacy and with the intimacy of those around us ready to take flight to the next level of understanding when ready.

 

Rouge Gallery - Saskatoon, 2010
seccov


Secrets

We submit to a type of death when gazing upon that which we should not.  Just as when we hold a secret we submit to a type of death because it is in the holding of the secret that ours live are forever altered and true freedom can never be attained. Nothing goes away and all changes with secrets.

A person with a secret is like a person with an object in their hand that they must conceal each moment of their lives.  The very nature of every movement and thought is altered. Depending on what the secret is and how it is held the impact can be very large or small. 

Upcoming Exhibition
Rouge Gallery -Saskatoon
Spring 2011

Princess  
transhealth

Transparency

Transparency; the place where the things you can’t fully remember and what you can’t forget collide in an awakening, and where the intersection of years brings you to clarity of moment, when the mirror of transparency appears, a personal transparency, where all is clear, understood and felt. Transparencies, when the one in the mirror and the one reflected are the same.

Upcoming Exhibition
Rouge Gallery -Saskatoon
Spring 2011
locks6

Love Locks and Promises

In Italy, there is a practice among lovers to connect a lock on a bridge and toss the keys in the water.  Once the lock is secured, the keys are tossed in the water, never to be retrieved.   This promise of love begs a question.  Can a relationship remain as constant and strong as this lock on a bridge?

Words are spoken that can never be taken back again.  This is part of human communication that has impacted human relationships since time immemorial.  The phrase “I love you” when spoken can never be taken back, just as the keys tossed in the water can never be recovered.  Three words forever change the two people within the relationship.  What if the other person can’t return the love, what if one or the other does not understand the love given, is frightened by it or is confused?  Locking ourselves together through eternity by voicing three words bares the soul, whether receiving or voicing those words. 

Upcoming Exhibition
Rouge Gallery -Saskatoon
Feb 2011
games

Games People Play

Does our essence determine how we enter the game?

Essence is the truth of what we are, what is our own: our latent and innate tendencies, our inherent gifts, our sympathies and antipathies.  Essence is what we are born with, but how does that essence affect how we play the game or if we even enter the game?

In “The Game” do we have moments of recognition, where we find our inner selves reflected in the outer world? Is this the moment when the game ends and authentic living begins? Are authentic people winners?

Sometimes we want to give up, run away and leave the game but the game is everywhere; leaving the game is leaving life itself. The game does not stop; night or day, the game continues.

It continues in many ways each day, including the possessions game, which takes over some lives and some cultures. The quest for more, the buying and accumulating, takes time from becoming an authentic person or interacting with authentic people.   Each possession we bring into our lives requires something of us and takes time away from relationships.  The game becomes more complex when possessions and people interact.

Rouge Gallery -Saskatoon, 2009

Faculty Club - Saskatoon, 2007

flow

Flow

Using the fish to explore the concept of flow is a natural link.  The collective effervescence of fish moving together belonging to a group with concrete real existence is symbolic of humans absorbed in a task.  As humans we are most satisfied when we do something for the action itself rather than for some other motive.

The moments of flow can also be called a liminal moment; those moments apart from time when you are gripped, taken, when you are so fully absorbed in what you are doing that time ceases to exist.  “The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult or worthwhile.” p.3 Flow by Mihaly Csikzenthmihalyi  It is the autotelic moments in life those of self goal that are meaningful. 

National Printmaking Awards, Toronto, May 2011

The Gallery- Frances Morrison Library, Saskatoon 2009

Meewasin Valley Center - Saskatoon, 2009

carrot

Dangling Carrots - Fame, Fortune or Happiness

Self-motivation, understanding of one’s own place in the universe and social responsibilities as a member of a population must be balanced for growth to be measured in more than just an economic sense. There is duplicity inherent in the image of a carrot dangling from a stick.

The deliberate deception may encourage forward progress of an animal, but is unlikely to work for very long in the real world.  Humans in search of fame, fortune and happiness will chase a transparent dangling carrot that is seen by no one but the pursuer.  To reach fame, fortune or happiness, the mirage that is constructed in the mind of the aspiring individual will block out enough of reality to overcome obstacles to the goal. 

There is no concrete definition of “making it”, each person’s defining moment of “making it” is different.  Fame, fortune and happiness are never fully attained in all people’s eyes. Each person reaches for his own dangling carrot, which is a completely intangible and sometimes illogical destination.  What is duplicity to some may be satisfaction for others.  It may be necessary to continue to chase more elaborate and new dangling carrots in order to continue to strive and not stagnate as a person both spiritually and physically.

Mackenzie Art Gallery - Regina, 2008

Saskatchewan Craft Council Gallery, Saskaton, 2009

Art Gallery of Swift Current, 2009

Capleh Gallery, North Battleford, 2009

Barr Colonly Heritage and Cultural Center, Lloydminster, AB, 2009

E. A. Rawlinson Center for the Arts, PRince Albert, SK, 2009

silence

Touch

The tulip provides an artistic way of exploring various types of touch, and the impact that touching has on our lives.   A touch can give us a concentrated sense of life, an energy transfer like nothing else can.  The touching of souls, minds or hearts that are seeking contact with another is life altering.

Every action produces an energy that will vibrate in eternity.  Like a pebble in a pond, the rings of energy keep moving outward from the initial touch, whether it is physical, emotional, spiritual or mental. However, learning to touch the silence within ourselves and be comfortable with our own company is a lifelong task. Touching and being touched is what makes us human and makes us thrive when times are challenging.
Upcoming Exhibition
Rouge Gallery -Saskatoon
Spring 2011
innocence

Connection

This series explores connections in my own world from the wisdom of a professor, to the innocence of a child that I teach each person changes who I am and who I will become.  The unconditional acceptance of a person allows a connection or a common thread of interest to grow and to become a strong bond and time and distance does not sever.

Sir Francis Bacon said that the worst solitude is to be destitute of sincere friendship. Without connections to other people and their emotions we are destitute

Rouge Gallery -Saskatoon, 2008
window

Lives Overlapping

There is a trust in some people that blurs differences and blinds prejudice. Humankind pauses and looks in before entering, as though trust has been lost from natural design. Windows provide distance and a perceived involvement, yet the viewers do not know what the situation is until they participate fully.

Windows allow people to look out, but they also allow people to look in. Why do we look in? Do we want to see that other people are not so different from us? If there were windows on people that allowed us to see into their intentions, motivations, aspirations or potential, humans would we understand each other better. We install windows on superficial items like cars and houses, yet we cover up what is most important and don’t realize that our lives are very similar and overlap in many ways.

Lives overlap all over the world. We hang out our laundry to dry metaphorically and physically and hope that the overlap with others with bring a sense of companionship and understanding.

Centre Galleries, Saskatoon, 2007
english English Florist Tulips Yorkshire Sculpture Park - Wakefield, England, 2006
surfaces

Trapped

Many times in life we try to trap or hold onto something longer than we can. We try to control scents, people, moments and feelings.  We try to trap moments through photography and smells through perfume.  The perfume jars are a symbol for this attempt to trap the scents of nature in a jar to use later.  When that bottle is opened and the perfumed is applied, the scent is lost to the air.

A perfume lingers after the person wearing it has departed.  The scent may be in the room, on a piece of clothing, or on a pillow they used.  This evokes notions of enduring strength and remembrance.  Perfumes thus symbolize memory.

Vallauris, France 2006

Rouge Gallery - Saskatoon, 2010

passion

Standing Alone

Monique uses tulips, a common flower to represent human emotions, from the fragile to the ferocious.  Fields of  flowers like crowds of people, often make us less aware of  the individual characteristics and nuances each posseses.  Each painting is ground level view  focusing on a single flower among an arrangement that personifies an intense human emotion.  As in a family, everyone appears similar yet will feel, respond and experience situations in a totally unique way - in essence standing alone.

Gallery on the Roof, Regina, 2001

Mendel Art Gallery, Saskatoon, 2001

Chapel Gallery, North Battleford, 2002

Hotel de Ville- Ottawa, 2002

Hobart, Tasmania, 2003, Mount Vernon, USA, 2003

Gatineau, QC, 2005

Nice, France 2006

Spalding, England 2007

Permanent Installation Spalding England 2008

march March of Time

Time marches toward confluences of harmony and conflict. The shaded images in black and white represent loss of innocence through aging.  The color works toward peace and a better way to handle conflict.   Major events are highlighted in color, the everyday tasks blend into shades of black and white.

Snelgrove Gallery, Saskatoon, 2003

Station Arts Center, Rosthern, 2004

Refinerary Arts and Spirit Centre, Saskatoon, 2004

Cumberland Gallery, Regina, 2005

fragile

Fragile


Those who suffer due to life’s unfortunate accidents can suffer an anathema that is not of their choosing.  As the outcome of each individual decision forces the direction of the next decision, events play out in a multitude of opportunities and challenges.  There is a delicate balance between stability and change that is tipped by circumstance and chance.  The survival of the fittest is completely negated through errors in judgment, a lack of understanding or the ever-present twists of fate. 

Our world, our own lives, our health, our relationships and our safety are all fragile.  At any given moment something could happen that could change the very nature of our lives and our existence in it.   We can be shaken out of our comfortable lives through the unconscious acts of others in a split-second.  We surround ourselves in seemed luxury and safety.  Our automobiles are a shell that we take for granted and trust, yet they can be shattered in a moment through all too common accidents as a result of lack of attention or care.

The Gallery, Frances Morrison Library, Saskatoon, 2003
hurt

Treasured Hurts

There are hurts we hang on to that are re-lived.  Memories hide for a long time and can surface again to cause new pain. The vessels in these paintings represent human beings.  People search to understand themselves and it is their treasured hurts that have made them who they are or stopped them from becoming who they want to be.

Faculty Club, U of S, 2004
abundance

Abundance

To have abundance is to recognize there is an oversupply.  It is the acquisition of material goods beyond what is needed.  There are many choices to make to fill our days and it is necessary to recognize when enough is enough.  However, each possession collected demands something of us and this demand is often time.

A major factor in the increased stress in many lives can be attributed to abundance.  The over-indulgence in gathering possessions is an attempt to measure success.  The challenge for modern society is to build abundance in life of non-material possessions and recognize their value.  Stress results from all types of abundance and equilibrium is established when there is a balance between needs and wants.

Gatineau, Quebec 2004
working

Naked Soul - Working Mother

The series explores a working mother’s place in society from conception of the child to the reality of living the day-to-day life of a working mother.  The exhaustion, the fear, the anger, the tension and the jealousy are part of the experience of the woman in the series.

Point du Vue Cultural Center, St. Isidore, Qc 2002

Chapel Gallery, North Battleford, SK, 2002

Godfrey Dean Gallery, Yorkton, SK, 2003